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Eric Johnson Pianos

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    • Technical Manuals from Kawai, Steinway and Steingraeber
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High End Piano Guy

  • NYTimes: The Great Steinway DebateDecember 1, 2019
  • Reagan, Gorbachev, Cliburn and meFebruary 2, 2018
  • Dorothy Parker’s SummerAugust 9, 2016
  • Piano Action RebuildingAugust 7, 2016
  • Maria Schneider – Master of ColorMay 29, 2016
  • Teaching at NEECSOMarch 28, 2016
  • What is a Duplex Scale?May 24, 2015
  • What is aftertouch?May 24, 2015
  • Piano Tuning Changes The BrainJanuary 28, 2015
  • Say Bosendorfer: Brilliant marketing piece for pianosJanuary 3, 2015
  • Vienna Cultural TimelineNovember 2, 2014
  • Fazioli Moving UpMay 4, 2014
  • Tunelab and CybertunerApril 7, 2014
  • A Letter to Udo SteingraeberMarch 15, 2014
  • Humidity Is Your Friend!March 7, 2014
  • Feurich 190 updateFebruary 28, 2014
  • You MUST control the humidityFebruary 16, 2014
  • Steingraeber – Action and ReactionFebruary 14, 2014
  • Feurich 172 (German) updateFebruary 13, 2014
  • Piano Work as MeditationJanuary 25, 2014
  • Humidity Must Be Under Your ControlJanuary 23, 2014
  • HEP Guy on YoutubeJanuary 19, 2014
  • Thoughts on the Yamaha AvantGrandDecember 8, 2013
  • Choose your partners carefully…October 18, 2013
  • First the Feurich Ningbo Duo. 178M and 218MSeptember 29, 2013
  • An Interesting Collection of PianosSeptember 23, 2013
  • Not all work is workSeptember 12, 2013
  • Massgefertigt in ChicagoAugust 16, 2013
  • Web workJune 25, 2013
  • New Piano Voicing Tricks for a Piano TechnicianJune 9, 2013
  • Frankfurt Messe 2013May 18, 2013
  • Another harpsichord to a happy homeMay 18, 2013
  • Outside PromotionApril 5, 2013
  • Moving Sucks…mostlyApril 5, 2013
  • What’s In A Name?January 12, 2013
  • Traditional and Modern SoundboardsOctober 10, 2012
  • You Must Have a Good Ear…August 10, 2012
  • RPT RepeatAugust 10, 2012
  • My Evolution as a WebmasterJuly 6, 2012
  • The Myth of Artist EndorsementsJune 2, 2012

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